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Books | 809.894 SAI (Browse shelf) | Available | ALFBK2236 |
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809.892 066 42 WOO A history of gay literature | 809.892 MER Forbidden sex, forbidden texts | 809.894 SAI Culture and imperialism | 809.894 SAI Culture and imperialism | 809.895 4 KUM Limiting secularism | 809.911 321JAM The cultural turn | 809.912 AUE Mimesis |
TABLE OF CONTENTS
Introduction | ||
Ch. 1 | Overlapping Territories, Intertwined Histories | |
I | Empire, Geography, and Culture | 3 |
II | Images of the Past, Pure and Impure | 15 |
III | The Visions in Heart of Darkness | 19 |
IV | Discrepant Experiences | 31 |
V | Connecting Empire to Secular Interpretation | 43 |
Ch. 2 | Consolidated Vision | |
I | Narrative and Social Space | 62 |
II | Jane Austen and Empire | 80 |
III | The Cultural Integrity of Empire | 97 |
IV | The Empire at Work: Verdi's Aida | 111 |
V | The Pleasures of Imperialism | 132 |
VI | The Native Under Control | 162 |
VII | Camus and the French Imperial Experience | 169 |
VIII | A Note on Modernism | 186 |
Ch. 3 | Resistance and Opposition | |
I | There Are Two Sides | 191 |
II | Themes of Resistance Culture | 209 |
III | Yeats and Decolonization | 220 |
IV | The Voyage In and the Emergence of Opposition | 239 |
V | Collaboration, Independence, and Liberation | 262 |
Ch. 4 | Freedom from Domination in the Future | |
I | American Ascendancy: The Public Space at War | 232 |
II | Challenging Orthodoxy and Authority | 303 |
III | Movements and Migrations | 326 |
Notes | 337 | |
Index | 363 |
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